Le premier son est celui de la flute des mornes, soufflée par Max Mona, immédiatement suivi des harmonies africaines d’Olysa Zamati, l’ensemble mêlé dans la fusion afro-jazz que Jean-Philippe Fanfant nous propose ici. Et donc l’ensemble du tableau, de l’aire de jeu, est brossé d’entrée, les deux rives de l’Atlantique, africaine et caribéenne, et le …
Since 1966, la vie jazz enchantée de Jean-Philippe Fanfant Lire la suite »
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